With a mission to, "...share and spread the Retrowave sound and culture with the world", NRW Records (New Retro Wave) has done well by its artists, getting features on Netflix films as well as TV shows and major movies like, Death Note, Family Guy, [Click here to open...]
Forest Robots – Inevitable (single)
Somewhere in the forests outside of Los Angeles, California, you'll likely find electronic musical machinist, visual engineer and literate savant, Fran Dominguez, and his daughter taking it all in, doing their part to increase the [Click here to open...]
Skinny The Apocalypse – The Digital Self (single)
Inspired heavily by EDM, Hip-Hop, Soul, and Rock, Skinny The Apocalypse (a.k.a., Stuart Pike), began as a cub DJ in the city of Bristol, UK before moving into the world of music production. Now, the rapper, singer, producer---who's influences [Click here to open...]
Lend Me Your Ear – Ours
So what happens when a skilled lyricist (Klein Klimp) becomes an Uber driver and, one fine day, happens to give a serendipitous lift to a hip-hop producer (Chris Steinke, a.k.a., Chris Stanky)? The answer: Lend Me Your Ear (LMYE) Influenced by [Click here to open...]
Danny Baxley – Ithaca (single)
Using music as a therapeutic release, Boston transplant by way of Texas, Danny Baxley, is following up a slew of singles (including: Loose Control, Crossed A Line, Dream More Time For Crime), as well as his Identity EP, with a new song, [Click here to open...]
Jon Hopkins – Opalescent (2016 reissue)
Fifteen years ago the London based electro-artist, Jon Hopkins, released his original issue of Opalescent...at the tender age of 20. The electronic community fell in love with it, and him, and rightfully so. Fast forward one-and-a-half decades, and [Click here to open...]
Moon & Pollution – The Box Borealis
Moon & Pollution have walked the tightrope...bravely we might add. Here's the thing, technology (namely, computers) in music can be a beautiful thing. It can also be detrimental. Which means that, ultimately, those song-smiths who walk the [Click here to open...]