This one is for our very passionate hard rock/heavy metal enthusiasts: we recently received the latest from New York-based band Playing IN Traffic, and it’s smart, occasionally reserved, but mostly thundering. The new album, Mix IT Up /\ Mix IT Up /\, features 11 powerful songs expressed through hard rock, heavy metal, thrash…and heck, I may have heard a few bars of ska. So, what we’re dealing with isn’t your standard hard rock band; they mention progressive rock influences, which explains the quick, clever changes in mood and meter. Ready to, uh, “mix it up” with Playing IN Traffic’s latest album? Let’s hit the highlights.
Wait. Who does what?
Playing IN Traffic is one of those rare bands that actually gets along, having stuck it out through times of creative and personal tension, and for over 14 years (they met when they were teenagers). Who makes up this band of unflappable friends?
Lead Singer – Karais James
Bass – Shane Sarno
Lead Guitar – Raymond Carroza
Drums – Jim Horan
Hitting the highlights (i.e., what really moved us, and maybe a little too much since whiplash can apparently happen while simply typing a review):
Album opener “Another Day” begins with James’ Scott Stapp-ish voice and some clean electric guitar. I’m reminded, subtly, of the Red Hot Chili Peppers with that funky vibe and James’ casual sing-speaking. But then comes a hammering change – a deviously chugging thrash kicks in underneath James’ now sand-scoured howling. And this is the kind of push/pull dynamic, the softly retiring versus the rocket-launching aggression, that takes us to the song’s diabolical ending.
“Empty” begins with clean, dark guitar chords before the song bares its teeth with aggressive guitar chugging. It sounds like Soundgarden meeting the more theatrical heavy metal of Iron Maiden, and the satirical vocalizing of Megadeth. The softer sections remind me of grunge – of Candlebox – before those big, crushing chords jettison from the amp, blowing over everything foolish enough to refuse a rope.
“We H8 U Anyway” is hard, unapologetic, and driven. I hear a little White Zombie thanks to James’ deeper, more sandy delivery.
Track #7, “A Dead Man’s Hymn,” is a descent into nightmares with ferocious chugging and James’ fiendish delivery. The pre-chorus slows in an interesting way, like the hammer is withheld, briefly and torturously, before slamming down with additional merciless velocity.
Track #9, “Until They Bleed,” starts with phasing guitar, and heavy vibrato singing reminiscent of Bruce Dickinson from Iron Maiden. And this more epic, almost theatrical singing continues throughout the song (well, until the howling/growling commences). This is an epic track that, again, embraces dramatic, thematic metal.
Album closer “Slow Crawl” presents a somewhat chaotic beginning launched from a clever bass lick. Overall, this is another display of James’ more diabolical voice over hard but smartly changing sections – it’s reminiscent of Faith No More with Mike Patton’s constantly shifting vocal characterizations.
But is it good?
I would say it’s VERY good, and VERY obvious these musicians have been together, through thick and thin, for over 14 years. It’s that kind of bond – that amount of time – that allows a band to deftly create and perform such ostensibly catchy but technically challenging music. Each member here is absolutely solid, and they have to be, because what they’re doing? It’s no easy feat. If you’re a fan of hard rock, classic heavy metal, thrash, unexpected mood shifts/time changes, and exceptional playing, you will absolutely rock out to Playing IN Traffic’s new album, Mix IT Up /\ Mix IT Up. Because we certainly did, and now our necks must pay the price. Recommended.
BELOW: Listen to Playing IN Traffic and check them out on ReverbNation, Spotify, Facebook, Instagram, “X”, and Apple Music. Please support Playing IN Traffic by visiting them online, and playing, downloading, and/or purchasing their music. And, as always, thank you for supporting real music.
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